So far my work has focused on Dramaturgy, Dramatic Writing, Movement in Acting. In most of my professional work, I continued as an instructor and school director in private theater schools.
In recent years, I have been compiling my knowledge on performance, trauma studies, kinesiology, and neuroscience, and am interested in next-generation movement practices and their contributions to creativity (acting, writing, and performance). We started to implement the first trauma-informed theater education curriculum in Turkey at the Tiyatrohane. I organize trainings on Body Limits and Consent in Performance and Visual Arts in Turkey.
I believe that in the current sociopolitical climate, it is more important than ever to engage audience in dialogue that is as culturally diverse as possible. One my research is on an interdisciplinary subject; “Identity” and “The Other” Issue and reflexions to personification in fiction and characterization in theatre plays.
I attempt to openly address issues of race, gender, politics, religion, etc., in my plays when relevant. I passionately believe that, by revealing human nature the role of theatre arts have the same power to change the society. I am continually challenging myself as a playwright to reflect what is happening around the world. I have other works on progress.
I have numerous of works on dramaturgy in a large scale of plays for stage productions; classical to modern, from Russia, United States, Europe and Turkey. My works include opera dramaturgy as well.
As a playwright who writes for young audience and committed to interdisciplinary studies, I believe studying pedagogy and children development as my responsibility. I had an opportunity to study attachment parenting, developmental kinesiology and movement, Polyvagal Theory, play , adverse childhood experiences and I am trauma informed instructor.
I am investing my time on reading, studying to learn from professionals like John Bowlby, Mary Ainsworth, Aletha Jauch Solter, Carol Stock Kranowitz and more…
My works on Children’s Theatre are humoresque. I also like to challenge stereotypes, and encourage young audience for individuality. I mostly inspire from ancient Turkic mythological characters in my plays for young audience. Turkic myths are animistic, accordingly the plays are mostly related to the nature.
Staged Plays
Dramaturgy
I have numerous of works on dramaturgy in a large scale of plays for stage productions; classical to modern, from Balkan countries, Russia, the United States, Europe, and Turkey. My works include opera dramaturgy as well.
Movement for Performance Artists:
Theatre Studies, Theory & History:
You can find my articles about performance and visual arts here, you may also follow my page eceturkmutdere
Check out my workshops and tutorials for stage professionals, students and amateurs.